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Egon Schiele

Left: Self-Portrait, Bust. 1912. Watercolor and pencil. Promised Gift to the National Gallery of Art.

Right: Portrait of Paris von Gütersloh. 1918. Oil. The Minneapolis Institute of Arts.

EXHIBITIONS (*INDICATES SOLO EXHIBITION)

IFPDA Print Fair 2017

October 26, 2017 - October 29, 2017


Recent Acquisitions

(And Some Thoughts on the Current Art Market)

July 11, 2017 - October 13, 2017


Recent Acquisitions

July 11, 2017 - October 13, 2017


Art Basel 2017

June 15, 2017 - June 18, 2017


The Woman Question

Gustav Klimt, Egon Schiele and Oskar Kokoschka

March 14, 2017 - June 30, 2017


The Woman Question

Gustav Klimt, Egon Schiele and Oskar Kokoschka

March 14, 2017 - June 30, 2017


ADAA Art Show 2017

March 1, 2017 - March 5, 2017


IFPDA Print Fair 2016

November 3, 2016 - November 6, 2016


IFPDA Print Fair 2016

November 3, 2016 - November 6, 2016


Recent Acquisitions

July 12, 2016 - October 7, 2016


Recent Acquisitions

July 12, 2016 - October 7, 2016


Art Basel 2016

June 16, 2016 - June 19, 2016


ADAA Art Show 2016

March 1, 2016 - March 6, 2016


IFPDA Print Fair 2015

November 4, 2015 - November 8, 2015


Recent Acquisitions

(And Some Thoughts on the Current Art Market)

July 21, 2015 - October 16, 2015


Recent Acquisitions

July 21, 2015 - October 16, 2015


Art Basel 2015

June 17, 2015 - June 21, 2015


ADAA Art Show 2015

March 3, 2015 - March 8, 2015


Alternate Histories

Celebrating the 75th Anniversary of the Galerie St. Etienne

January 15, 2015 - April 11, 2015


Alternate Histories

January 15, 2015 - April 11, 2015


IFPDA Print Fair 2014

November 5, 2014 - November 9, 2014


Recent Acquisitions

(And Some Thoughts on the Current Art Market)

July 15, 2014 - September 26, 2014


Recent Acquisitions

(And Some Thoughts on the Current Art Market)

July 15, 2014 - September 26, 2014


Art Basel 2014

June 19, 2014 - June 22, 2014


ADAA: The Art Show 2014

March 5, 2014 - March 9, 2014


Modern Furies

The Lessons and Legacy of World War I

January 21, 2014 - April 12, 2014


Modern Furies

The Lessons and Legacy of World War I

January 21, 2014 - April 12, 2014


* Modern Furies

The Lessons and Legacy of World War I

January 21, 2014 - April 12, 2014


IFPDA Print Fair 2013

November 6, 2013 - November 12, 2013


Recent Acquisitions

July 9, 2013 - September 27, 2013


Recent Acquisitions

And Some Thoughts on the Current Art Market

July 9, 2013 - September 27, 2013


Art Basel 2013

Galerie St. Etienne, Hall 2.0, Booth D11

June 13, 2013 - June 16, 2013


Face Time

Self and Identity in Expressionist Portraiture

April 9, 2013 - June 28, 2013


* Egon Schiele's Women

October 23, 2012 - December 28, 2012


Recent Acquisitions

(And Some Thoughts on the Current Art Market)

July 17, 2012 - October 13, 2012


The Lady and the Tramp

Images of Women in Austrian and German Art

October 11, 2011 - December 30, 2011


Recent Acquisitions

(And Some Thoughts on the Current Art Market)

July 5, 2011 - September 30, 2011


Recent Acquisitions

(And Some Thoughts on the Current Art Market)

July 13, 2010 - October 1, 2010


* Egon Schiele as Printmaker

A Loan Exhibition Celebrating the 70th Anniversary of the Galerie St. Etienne

November 3, 2009 - January 23, 2010


Recent Acquisitions

(And Some Thoughts on the Current Art Market)

June 24, 2008 - September 26, 2008


Transforming Reality

Pattern and Design in Modern and Self-Taught Art

January 15, 2008 - March 8, 2008


Recent Acquisitions

(And Some Thoughts on the Current Art Market)

June 5, 2007 - September 28, 2007


Who Paid the Piper?

The Art of Patronage in Fin-de-Siècle Vienna

March 8, 2007 - May 26, 2007


More Than Coffee was Served

Café Culture in Fin-de-Siècle Vienna and Weimar Germany

September 19, 2006 - November 25, 2006


Recent Acquisitions

(And Some Thoughts on the Current Art Market)

June 6, 2006 - September 8, 2006


* Coming of Age

Egon Schiele and the Modernist Culture of Youth

November 15, 2005 - January 7, 2006


Recent Acquisitions

And Some Thoughts on the Current Art Market

June 7, 2005 - September 9, 2005


65th Anniversary Exhibition, Part I

Austrian and German Expressionism

October 28, 2004 - January 8, 2005


Sue Coe: Bully: Master of the Global Merry-Go-Round and Recent Acquisitions

(And Some Thoughts on the Current Art Market)

June 8, 2004 - October 16, 2004


Body and Soul

Expressionism and the Human Figure

October 7, 2003 - January 3, 2004


Recent Acquisitions

(And Some Thoughts on the Current Art Market)

June 24, 2003 - September 12, 2003


In Search of the "Total Artwork"

Viennese Art and Design 1897–1932

April 8, 2003 - June 14, 2003


Recent Acquisitions

(And Some Thoughts on the Current Art Market)

June 25, 2002 - September 20, 2002


Gustav Klimt/Egon Schiele/Oskar Kokoscha

From Art Nouveau to Expressionism

November 23, 2001 - January 5, 2002


The "Black-and-White" Show

Expressionist Graphics in Austria & Germany

September 20, 2001 - November 10, 2001


Recent Acquisitions (And Some Thoughts on the Current Art Market)

June 26, 2001 - September 7, 2001


Art with an Agenda

Politics, Persuasion, Illustration and Decoration

April 10, 2001 - June 16, 2001


The Expressionist City

September 19, 2000 - November 4, 2000


Recent Acquisitions (And Some Thoughts on the Current Art Market)

June 20, 2000 - September 8, 2000


From Façade to Psyche

Turn-of-the-Century Portraiture in Austria & Germany

March 28, 2000 - June 10, 2000


Saved From Europe

In Commemoration of the 60th Anniversary of the Galerie St. Etienne

November 6, 1999 - January 8, 2000


The Modern Child

(Images of Children in Twentieth-Century Art)

September 14, 1999 - November 6, 1999


Recent Acquisitions

(And a Look at Sixty Years of Art Dealing)

June 15, 1999 - September 3, 1999


Recent Acquisitions

(And Some Thoughts About Looted Art)

June 9, 1998 - September 11, 1998


Sacred & Profane

Michel Nedjar and Expressionist Primitivism

January 13, 1998 - March 14, 1998


* Egon Schiele (1890-1918)

Master Draughtsman

November 18, 1997 - January 3, 1998


Recent Acquisitions

A Question of Quality

June 10, 1997 - September 5, 1997


That Way Madness Lies

Expressionism and the Art of Gugging

January 14, 1997 - March 15, 1997


The Viennese Line

Art and Design Circa 1900

November 18, 1996 - January 4, 1997


Breaking All The Rules

Art in Transition

June 11, 1996 - September 6, 1996


The Fractured Form

Expressionism and the Human Body

November 15, 1995 - January 6, 1996


Recent Acquisitions

June 20, 1995 - September 8, 1995


On the Brink 1900-2000

The Turning of Two Centuries

March 28, 1995 - May 26, 1995


55th Anniversary Exhibition in Memory of Otto Kallir

June 7, 1994 - September 2, 1994


Symbolism and the Austrian Avant Garde

Klimt, Schiele and their Contemporaries

November 16, 1993 - January 8, 1994


Recent Acquisitions

June 8, 1993 - September 3, 1993


Naive Visions/Art Nouveau and Expressionism/Sue Coe: The Road to the White House

May 19, 1992 - September 4, 1992


Scandal, Outrage, Censorship

Controversy in Modern Art

January 21, 1992 - March 7, 1992


Viennese Graphic Design

From Secession to Expressionism

November 19, 1991 - January 11, 1992


The Expressionist Figure

September 10, 1991 - November 9, 1991


Recent Acquisitions

Themes and Variations

May 14, 1991 - August 16, 1991


Gustav Klimt, Egon Schiele, Oskar Kokoschka

Watercolors, drawings and prints

January 22, 1991 - March 2, 1991


* Egon Schiele

November 13, 1990 - January 12, 1991


Recent Acquisitions

June 12, 1990 - August 31, 1990


The Galerie St. Etienne

A History in Documents and Pictures

June 20, 1989 - September 8, 1989


Fifty Years Galerie St. Etienne: An Overview

February 14, 1989 - April 1, 1989


Recent Acquisitions and Works From the Collection

June 14, 1988 - September 16, 1988


From Art Nouveau to Expressionism

April 12, 1988 - May 27, 1988


Recent Acquisitions and Works From the Collection

April 7, 1987 - October 31, 1987


Oskar Kokoschka and His Time

November 25, 1986 - January 31, 1987


Viennese Design and Wiener Werkstätte

September 23, 1986 - November 8, 1986


Gustav Klimt/Egon Schiele/Oskar Kokoschka

Watercolors, Drawings and Prints

May 27, 1986 - September 13, 1986


Expressionist Painters

March 25, 1986 - May 10, 1986


Expressionists on Paper

October 8, 1985 - November 23, 1985


European and American Landscapes

June 4, 1985 - September 13, 1985


Expressionist Printmaking

Aspects of its Genesis and Development

April 1, 1985 - May 24, 1985


Arnold Schoenberg's Vienna

November 13, 1984 - January 5, 1985


Early and Late

Drawings, Paintings & Prints from Academicism to Expressionism

June 1, 1983 - September 2, 1983


Aspects of Modernism

June 1, 1982 - September 3, 1982


The Human Perspective

Recent Acquisitions

March 16, 1982 - May 15, 1982


Austria's Expressionism

April 21, 1981 - May 30, 1981


Gustav Klimt, Egon Schiele

November 12, 1980 - December 27, 1980


* Egon Schiele

The Graphic Work

October 19, 1970


Austrian Art of the 20th Century

March 21, 1969


* Egon Schiele

Memorial Exhibition

October 31, 1968


The Wiener Werkstätte

November 16, 1966


* Egon Schiele

Watercolors and Drawings from American Collections

March 1, 1965


25th Anniversary Exhibition

Part I

October 17, 1964


Austrian Expressionists

January 6, 1964


Group Show

October 15, 1962


Paintings by Expressionists

January 27, 1962


Gustav Klimt, Egon Schiele, Oskar Kokoschka and Alfred Kubin

March 14, 1961


* Egon Schiele

November 15, 1960


Watercolors and Drawings by Austrian Artists from the Dial Collection

May 2, 1960


European and American Expressionists

September 22, 1959


* Egon Schiele

January 21, 1957


* Egon Schiele

March 12, 1954


Lovis Corinth, Oskar Kokoschka and Egon Schiele

May 27, 1953


Small, Good Art Works from the 19th and 20th Centuries

January 27, 1949


* Twenty-Five Years Neue Galerie

Egon Schiele

October 20, 1948


* Egon Schiele

Memorial Exhibition

April 5, 1948


Gustav Klimt, Oskar Kokoschka and Egon Schiele

September 15, 1945


* Egon Schiele

November 7, 1941


Saved from Europe

Masterpieces of European Art

July 1, 1940


Anton Faistauer, Gustav Klimt, Oskar Kokoschka and Egon Schiele

June 1, 1933


* Unknown Works by Egon Schiele

October 28, 1930


* Egon Schiele

Memorial Exhibition on the Tenth Anniversary of his Death

October 15, 1928


* Egon Schiele

November 20, 1923


FIFTY YEARS GALERIE ST. ETIENNE: AN OVERVIEW

February 14, 1989 - April 1, 1989

ARTISTS

Hicks, Edward

Kokoschka, Oskar

Kollwitz, Käthe

Kubin, Alfred

Moses, Anna Mary Robertson ("Grandma")

Phillips, Ammi

Schiele, Egon

 

ESSAY

In 1939, Otto Kallir, who had been driven from his native Austria by the Nazi Anschluss, arrived in the United States. In his wake he left a Viennese gallery, the Neue Galerie, that had, for fifteen years, been the leading champion of modernism in that city. He also left behind a shorter-lived French gallery, named St. Etienne in honor of Vienna's venerable St. Stephan's cathedral. Although war had broken out in Europe while Kallir was crossing the Atlantic, he still dreamed that he would someday return, and so he named his New York gallery (which he founded almost immediately) St. Etienne: a would-be branch of the Paris concern. As it transpired, Paris was soon as unapproachable as Vienna, and the Galerie St. Etienne in New York, with its misleading French name, became the principal outpost for modern Austrian art in the United States.

 

The "firsts" achieved by the Galerie St. Etienne are historic: the first American Oskar Kokoschka exhibition in 1940, the first Egon Schiele and Alfred Kubin exhibitions in 1941, the first Gustav Klimt exhibition in 1959, and the first Wiener Werkstätte exhibition in 1966. Austrian art of the early twentieth century was, in the beginning, virtually unheard of in the United States, and at times it seemed the Galerie St. Etienne was fighting a lonely, losing battle. German Expressionism, on the other hand, was somewhat better received, in part because of Germany's more aggressive international presence, and in part because, whereas Klimt and Schiele had died in 1918, many major German artists not only continued to live but, as victims of Hitler's cultural policies, actually ended up emigrating to America. Among the Germans, the Galerie St. Etienne typically chose to represent those who were lesser known: the precursors of Expressionism (who not coincidentally had a gentler sensibility more akin to that of the Austrians), such as Paula Modersohn-Becker (first American one-woman show, 1958), Lovis Corinth and Käthe Kollwitz (the subject, to date, of some seventeen one-woman shows at the gallery).

 

Otto Kallir was not, however, content merely to transplant his European heritage to the United States. Almost from the moment of his arrival, he set out to find an indigenous American form of expression suited to what he perceived as the unique spirit of his newly adopted homeland. Disatisfied with the contemporary New York avant-garde--which he considered too derivative--Kallir instead turned to folk art. As early as 1941, on his second summer vacation, he drove all the way to New Mexico, where he picked up a treasure trove of Indian artifacts and Santos. He also developed a keen interest in the art of self-taught nineteenth-century painters, whose work he helped introduce to Europe by collaborating with the Smithsonian Institution on a series of traveling exhibitions. But his most notable accomplishment was the discovery of an 80-year-old farmwife from upstate New York: Anna Mary Robertson ("Grandma") Moses. Moses had her first one-woman show at the Galerie St. Etienne in the autumn of 1940--when Kallir had been in America scarcely one year. Her fame was not (as is so often said) "instantaneous," but the show was well received, and, over the course of the ensuing years, as the gallery became her exclusive representative, Grandma Moses gradually grew to be one of the most renowned American artists then living.

 

The current exhibition includes a sampling of works by many of the artists who established the Galerie St. Etienne's reputation--and whose reputations the gallery helped establish. Some of these will also be featured in one-person shows later in 1989, as part of a series of anniversary events extending throughout the year. A major Gustav Klimt loan exhibition is scheduled for the spring, as is a symposium on Austrian art co-sponsored by the Austrian Institute and featuring a number of leading scholars in the field. Concurrently, Harry N. Abrams, Inc., will publish Gustav Klimt: 25 Masterworks by gallery co-director Jane Kallir. A play on Grandma Moses, starring noted actress Cloris Leachman, will soon begin a nationwide tour. In the fall, a Grandma Moses retrospective is planned, along with a folk art symposium co-sponsored by the Museum of American Folk Art. Additional events will be announced in the course of time.50th Anniversary Committee

 

Dr. Hubert Adolph, DIRECTOR, ÖSTERREICHISCHE GALERIE

 

Leon A. Arkus, DIRECTOR EMERITUS, CARNEGIE MUSEUM OF ART

 

Dr. Robert Bishop, DIRECTOR, MUSEUM OF AMERICAN FOLK ART

 

Dr. Jutta Bohnke-Kollwitz

 

The Honorable Leopold Bill von Bredow, CONSUL GENERAL OF THE

 

FEDERAL REPUBLIC OF GERMANY

 

Prof. Alessandra Comini, SOUTHERN METHODIST UNIVERSITY

 

Dr. Günter Düriegl, DIRECTOR, HISTORISCHES MUSEUM DER STADT WIEN

 

Lillian Gish

 

Paul Gottlieb, PRESIDENT, HARRY N. ABRAMS, INC.

 

His Excellency Friedrich Hoess, AMBASSADOR OF AUSTRIA TO THE U.S.A.

 

Prof. Arne Kollwitz

 

Mr. and Mrs. Leonard A. Lauder

 

Ambassador Ronald S. Lauder

 

Gertrud Mellon

 

Thomas M. Messer, DIRECTOR EMERITUS, SOLOMON R. GUGGENHEIM MUSEUM

 

Dr. Konrad Oberhuber, DIRECTOR, GRAPHISCHE SAMMLUNG ALBERTINA

 

Mrs. John Alexander Pope

 

Prof. Carl E. Schorske, PRINCETON UNIVERSITY

 

Dr. Richard A. Simms

 

The Honorable Wolfgang Steininger, CONSUL GENERAL OF AUSTRIA

 

Dr. Alice Strobl, VICE DIRECTOR EMERITUS, GRAPHISCHE SAMMLUNG ALBERTINA

 

Dr. Wolfgang Waldner, DIRECTOR, AUSTRIAN INSTITUTE